![]() Some names are well known while others, despite their contributions to the decades-long evolution of the instrument, languish in obscurity, known only to guitar geeks and obsessives.Īnd while there have been many occasions when pundits declared that rock (and by extension, the tools to make this music) is dead, the electric guitar has proven to be extremely adaptable and has (at least so far) been able to take on all comers, especially when placed in the hands of radicals and rulebreakers. Its history is a complicated one, involving musicians, inventors, tinkerers, happy accidents, big multinational companies, and lone wolves. Had it not been for the electric guitar, rock, initially considered a musical fad, probably wouldn’t have survived the 1950s. And it opened the doors to new types of creativity. It’s a vehicle for freedom of expression. That sound, with all its power, distortion, and infinitely diverse tonalities, can still drive music fans into ecstasy.įor many, the electric guitar is a symbol of rebellion and liberation. And central to this was the electric guitar. Initially driven by young Baby Boomers, rock grew bigger and stronger, eclipsing all other genres. It was a massive cultural force that spread around the globe. EST.Ĭheck out the full interview with the King sisters, Williams, and DeVoe below.In assessing the popular music of the last half of the 20th century, rock music was undeniably king. The finale episode airs on Wednesday on BET at 10 p.m. She put on a really huge front like she wanted the group to work out.”ĭespite the drama, DeVoe says girl groups can work. She says O’Day acted as a “wolf in sheep’s clothing,” adding: “It was something that she never really wanted. With so many of their housemates leaving, DeVoe admits that it came off as selfish with some of the acts, notably O’Day. The girls having left, it caused a lot of us to have to do a lot more work.” “It was crunch time and there’s certain things that you couldn’t sit back and argue about anymore. “There was a lot of growth the entire season, it just wasn’t seen and wasn’t shown,” Fallon insists. But by the end of episode 9, fans of the show applauded the King sisters for becoming better team players with the rest of the group. They took the lead on things and it wasn’t always well received by their group members or viewers. The King sisters don’t deny that they can be a bit abrasive however, much of the writing and the producing of the tracks for the EP were their brainchild. The Grinstead sisters left within 24 hours of Nivea quitting, hinting that it was due to the ongoing tension with the King sisters. “I am honored that they felt like I could fill a hole and that I could step in and help out.”Īnother issue in the house throughout the experiment was many of the ladies feeling that the “Cherish twins” were difficult to work with. “These women are ridiculously talented and they would have been fine without me…desperately needed is a lot ,” she said, as Fallon King rolled her eyes in disagreement. She notes her past traumatic experiences being in two separate girl groups as her motivating factor. When speaking with Shadow and Act for a follow-up interview on why she remained hesitant despite the group needing her at the final hour, Williams stood strong in her stance. □□□□ BLUPRINT is out NOW! Head to to download our new EP featuring original music from #BETPresentsTheEncore : “Birds Eye View”, “Go Don’t Leave”, “Only God Knows”, “Say Something”, “Skeletons”, “Talkin’” ‼️❗️Tune in to for the finale episode at 10/9C □□□ /mi8WLmbqta- Shamari DeVoe August 11, 2021 Pamela Long even had reservations due to her Christian values and restrictions on lyrics and wardrobe, but she still is featured on the EP. She only agreed to join after Nivea, LeMisha and Irish Grinstead of 702 and Aubrey O’Day of Danity Kane all quit. But her future with the group remains unclear. ![]() They appropriately named themselves Bluprint for setting the standard for what girl groups can be. Williams begrudgingly agreed to perform with the group for the finale showcase. In the end, the only remaining “members” were Shamari DeVoe of Blaque, Fallon and Felisha King of Cherish, Pamela Long of Total, and Williams. Instead, she wanted to be the creative director. From the start, Kiely Williams, formerly of 3LW and Disney’s The Cheetah Girls, made it known that she would not be participating in the lineup as a group member. The ladies were tasked with recording an EP and putting together a final live performance within a 30-day period. Fans of the hit Carlos King-produced reality series BET Presents The Encore were wondering how a supergroup of nine talented female acts from various popular girl groups would work and as it turns out, it doesn’t.Įarly on, there were signs that all may not make it to the end.
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